Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Friday, May 4, 2012

Original Poem: New Dress



New Dress
Rachel Marie Talan
Tissues--
fallen soldiers of love
have surrendered,
their bodies scattered over the floor,
a trail from the bed 
to the bathroom vanity.
Ben and Jerry,
beneath the bedside lamp,
are arguing who
has dibs on the silver lady,
lying at the nightstand’s edge.
The bed’s pillows are 
wrinkled and angry
and the TV has
been on for days, 
mourning the ends of
shows stuck in reruns,
characters never aging.
The walk-in closet
glows yellow
--a bulb about to burn out--
and hangers
are tangled bitterly
over the mouth of a
hungry hamper.
Then the front door clicks.
Footsteps up the stairs.
A box on the bed.
The TV off.
Purse slung
into a chair.
Zzzzzipp.
A look in the mirror
with a sudden smile says:
Nothing heals
a fractured heart
like the touch of
a new dress.

Friday, April 27, 2012

Original Poem: The Kuleshov Effect

Recently, Josh did a stop motion video of me writing out one of my poems called "The Kuleshov Effect." Stop motion is done by taking consecutive photos and then playing them back at 24 frames/sec. It gives the film a choppy look, and with the antique effect Josh used, this really looks like an antique film (well, except for the two cars in my driveway). I hope you love it as much as I do!

 


The Kuleshov Effect
Rachel Marie Talan
Shelved books gather dust like old,
forgotten trophies. Sunlight streams through 
the open window,
a spotlight.
Cut.
The author spins phrases on his typewriter
while the sun strikes his back with 
warmth, with pain. 
Cut.
There’s a dandelion on the lawn. A 
lone survivor. All his friends, killed on
behalf of beauty’s war. 
Cut.
She sits at the bar and takes her
first drink in fifteen years.
Cut.
A penny is stranded, tail-side-up, in the gutter.
Cut.
A cigar still burns in an ashtray,
smoke dancing up and away from its
abandoned form.
Cut. 
The metronome ticks atop the musicless piano. 
Cut.

Friday, April 20, 2012

Featured Poet: Gina Alyse


Potpourri
by Gina Apperson
To someone else
Dried flowers may seem better
Than a collection of random
Literary extracts.
An extract of honey perfume
May smell more welcoming
Than the crisp paper pages
My fingers hold.
A diamond ring that flashes
With every change of light
May bedazzle more brilliantly
Than the next metaphor listed.
In fact the next hidden meaning
Of this delicate language
May just go unnoticed
As clouds spiral day by day,
Making curtains in the air.
Such curtain, only of lies,
Would then feel softer
Than the quiet melody
Of missing voices
In the beryl skies.
And the sweet music that vibrates
Daily instead
Would sound better
Than the flawless flow
Of words voiced with strong soul
To someone else.
But never am I
This someone else.

_________________________________________________________________________________

Featured Poet: Gina Alyse is a delight. She keeps an eclectic blog where she catalogues her interests and daily musings, and she was kind enough to feature some of my work.  "Potpourri" has such a calm rhythm to it. I especially love the lines "as clouds spiral day by day, making curtains in the air." Such a lovely image. 

Tuesday, April 17, 2012

For Reasons, Most Wondrous


"To the garden, the world, anew ascending,
Potent mates, daughters, sons, preluding,
The love, the life of their bodies, meaning and being,
Curious, here behold my resurrection, after slumber;






"The revolving cycles, in their wide sweep, have brought me again,         5
Amorous, mature—all beautiful to me—all wondrous;
My limbs, and the quivering fire that ever plays through them, for reasons, most wondrous;








"Existing, I peer and penetrate still,
Content with the present—content with the past,




"By my side, or back of me, Eve following,  10
Or in front, and I following her just the same."

---- "To the Garden of the World" by Walt Whitman





Outfit Details:

Photos taken by Josh.

Glasses//RayBan
Earrings//Vintage, 1950s
Ring//Antique
Cardigan//Charlotte Russe
Dress (worn as blouse)//Vintage, 1980s
Skirt//Vintage, 1960s - via Vintage Archives
Shoes//Vintage 1960s
Handbag//Vintage 1950s

Friday, April 13, 2012

Original Poem: Clumsy

Clumsy
by Rachel Marie Talan

My poems are always so clumsy...

The words sort of

trip

over

each 

other

in choppy rhythm.

Are they even poems at all?
Just weak collections of lines.

The writings of others
know exactly
what they're about.
They've skipped adolescence
and stopped falling over their own feet.

Their text,
black, straight, organized,
stands erect
in perfect,
rectangular columns.

Not mine though.
Mine finds a way of

slipping
off

the



page.
____________________________________________________________________________________

As promised, this is the poem I had published in Nota Bene. I really enjoy playing with the positioning of words in my writing, and I absolutely love concrete poetry, which is a form of poetry where the words are placed intentionally out of alignment on the page in order to make a picture. It's quite fun. To me, poetry has always been like doing a puzzle.

Tuesday, April 10, 2012

My Name All Done Up in Helvetica

Seeing my name in print never does cease to thrill me. My poem "Clumsy" was chosen for publication in Phi Theta Kappa's annual literary anthology Nota Bene along with other poems and stories from students across the country. They chose the most perfect picture to accompany my piece, which, as you can imagine, just tickles me and my whimsical heart pink.



If you stop by again on Friday, I'll post the full-length poem for you to peruse.
Until then, my friends!

Friday, April 6, 2012

Original Poem: Paper Tyranny

Last Friday I went with Courtney to a poetry reading in southern Wisconsin. The café was delightful and only carried organic products. I confess, I ate cheesecake and a cinnamon roll for dinner that night. The server told me she admired me, but there's nothing to be admired about a 20 year old eating sugar for dinner and then blowing bubbles in her milk because she's so nervous about reading a poem in front of an audience that she has lost all her common sense. 
But I digress...
It was my first time performing at an open mic, and I felt quite brave afterward -- like a gladiator of poets. The poem below is the one I read...into the microphone...that made my voice really really loud...so everybody could hear every single word I said...

Paper Tyranny
Rachel Marie Talan

We are paper dolls
in a paper world, and all
must fold before you.
Your wicked lips, like
paper clips, are click-clicking 
over paper ears. 
Crumpled citizens
listen and watch, faces blank
with unprinted fears.
Your scissors above
are casting shadows and dread:
Snip. Snip. We’re all dead.





I'd also like to thank everyone for the sweet words of encouragement you gave me on Monday. All of you are just swell :)

Friday, March 30, 2012

Featured Poet: Jessica

Somebody Doesn't Exist
by Jessica of The Midwest Muse


Will somebody remember us?
When  the oceans dry up,
and the finest art decays,
the stars burn out and modernization never happened.
And there's the jasmine scented room,
where we laid our coats and our bodies,
and you caught me looking at that man,
that wasn't you and I smiled.

When there are no trees left to be wheeled away,
buildings aren't constructed out of brick and mortar.
And the midsummer nights are riddles,
where you seduced the warmth with a broken banjo.
And I gambled the night away with a drink,
a false smirk and the skin under my favorite dress.

Will somebody remember us?
When the food chain shifts,
the leaves stop changing.
And children are never granted innocence.
The grass vanishes,
replaced by sand,
And the landlocked blues
fade into the Earth.

When the color drains from my wine stained cheeks,
and the world has no color palette.
The plethora of choices become a single option,
and like the scones I never ate,
we crumble into crumbs.

Will somebody remember us?
When the birds can no longer fly,
and your once bright eyes have dimmed
like the moon that forgets to set,
and the sun that never rises.
We were young once,
when we dressed up in our Sunday's finest,
and we stole from the house by the sea.

When the heat never returns,
and seasons are a foreign concept,
like the film we watched that first night,
and the fireworks we created before we understood,
what the tears really meant.

Will somebody remember us?
When time was a concept built by a man,
but the man died and took his secrets to the grave,
The vegetables cannot grow without water,
and water only existed to wash away our dreams,
like the paint we used on the bridge that collapsed.

When harmonies cannot be heard,
because the world is tone deaf.
Like the night I sang out of tune,
to your broken banjo.



__________________________________________________________________


Featured Poet: Jessica is a lovely lady, who was kind enough to feature my blog on hers not too long ago. Her style is always colorful and well thought out. To get to know her better, visit her blog here.
__________________________________________________________________

Are you a poet? I'd love to feature your original work!
Submission Guidelines:
Subject matter is not limited, though profanity is discouraged.
Submissions are subject to editing if deemed necessary.
You must be a follower of The Quirky Poet via Bloglovin' or Google Friend Connect.
You may send your poems to rachelmarie@thequirkypoet.com.


Thanks for reading!

Friday, March 16, 2012

Why should I leave you?

The Taxi
by Amy Lowell
When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars   
And shout into the ridges of the wind.   
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?

____________________________________________________________________________________
I hate to disappoint, but while in NYC my blog shall remain on pause.
But when I get back, I promise to share all the snapshots I will have taken while away.
Don't miss me too much ;)

If you'd like to keep up with me while I'm on vacation, check out my facebook and twitter.

Friday, March 9, 2012

Featured Poet: Jill McFee


Exodus
by Jill McFee
It would be easy
to lay down our lives
like spades after plowing
and walk away with nothing

but the stories on our backs
the vein maps to everywhere
we’ve already been

I would walk away with you
our hearts in hobo sacks
we trade and sling over our shoulders
as the dust of the road paints our faces

we’ll know when we’re there
because it is somewhere far from anywhere
and it is where we will plant
a flag and lie in the grass
without wondering where there
is a washing machine
_________________________________________________________________________________
Featured Poet: Jill McFee is a bubbly, adorable multi-talented lady, and if you'd like to get to know her better (which obviously you do!) you can find her lovely blog here
_________________________________________________________________________________
Are you a poet? I'd love to feature your original work!
Submission Guidelines:
Subject matter is not limited, though profanity is discouraged.
Submissions are subject to editing.
You must be a follower of The Quirky Poet via Bloglovin' or Google Friend Connect.
You may send your poems to rachelmarie@thequirkypoet.com.


Thanks for reading!

Friday, March 2, 2012

Featured Poet: Amber R. Nelson


The Redwood Children
by Amber R. Nelson

He said: I wouldn’t mind if you buried me on that knoll
under a red boulder from the ruins of the big house.
It was the discovery of two small graves in the Valley of the Moon.
Children of a pioneer, gripped by sickly root, lay underneath
fallen oak leaves and warm earth, tuned to the field mice
and bearded trees.  Their loneliness is expansive.
In this spot a father burst open on his knees
before trudging forth that silent morning over
newly-shaven hillsides.  A wilted lily, a redwood tree
reaching out of the ground marked with redwood tablets.
The wood oscillates.  In this soil are the hundred year old
hoofprints left by an appaloosa, the freshly-discarded
skin of a rattlesnake, the down a towhee shed in the thrust
of flight.  The boulder was rolled up to the burial ground.
The happy death: to let one’s remains give company to two others.

_________________________________________________________________

Featured Poet: Amber R. Nelson is a published poet and keeps a stylish little blog called Un Petit Fauve. Her poetry always seems so sophisticated to me. If you'd like to read more of her beautiful words, you can visit her blog or purchase an exquisite broadside of this poem in her shop.
_________________________________________________________________________________

Are you a poet? I'd love to feature your original work!
Submission Guidelines:
Subject matter is not limited, though profanity is discouraged.
Submissions are subject to editing.
You must be a follower of The Quirky Poet via Bloglovin' or Google Friend Connect.
You may send your poems to rachelmarie@thequirkypoet.com.


Thanks for reading!

 

Friday, February 24, 2012

The Sunlight of Edward Hopper

Sweet Talk
by Billy Collins


You are not the Mona Lisa
with that relentless look.
Or Venus borne over the froth
of waves on a pink half shell.
Or an odalisque by Delacroix, 
veils lapping at your nakedness.
You are more like the sunlight
of Edward Hopper,
especially when it slants
against the eastern side
of a white clapboard house
in the early hours of the morning,
with no figure standing
at a window in a violet bathrobe,
just the sunlight,
the columns of the front porch
and the long shadows
they throw down
upon the dark green lawn, baby.



_________________________________________________________________________________


If you're wondering, the works of Edward Hopper are incredibly mundane and simple, yet they're equally beautiful and moving. The lighting is exquisite in his paintings. If dear Billy had said this to me, I would believe he saw me as down-to-earth and real, but still just as lovely and inspiring.









Monday, February 20, 2012

Kore

"I have watched your smile in your sleep
and I know it is the boat 
in which my sun rides under the earth
all night on the wave of your breath
no wonder the days grow short
and waking without you
is the beginning of winter


"How is it that I can hear your bird voice now
trickling among the ice towers
through the days of the anvil
as the year turns I carry an echo
over my own stones and I listen
my eyes are open looking ahead
I walk a little ahead of myself touching
the air where nobody sees you
and the sun as it sets through the forest of windows
unrolls slowly
its unrepeatable secret
all the colors of autumn without the leaves

"You were shaking and an air full of leaves
flowed out of the dark falls of your hair
down over the rapids of your knees
until I touched you and you grew quiet
and raised to me
your hands and your eyes and showed me
twice my face burning in amber


"Already  on the first hill with you beside me
at the foot of the ruins I saw through the day
and went on without pausing
loving the unheld air
as a wing might love it flying
toward you unknowing
knowing

"When they are together our hands are of an age
and a dark light flows up between them
into its feathers
We have brought
nothing with us
but what has come of itself
we pass the stone fragments
the ancient smiles holding out
no hands
like the trees their sisters born older


"I trust neither memory nor expectation
but even the white days of cities
belong to what they do not see
even the heart of the doubters' light is gold
even when you are not with me
in the flowerless month of the door god
you look at me with your eyes of arrival

"Thirty days after the solstice
forms of ripe wheat
emerge from the tips of the branches
Far outside them
here
where you have never been
I reach for you with my eyes
I call you with my body
that knows your one name




"Days when I do not hear you 
it seems that the season flows backward
but it is only
I
of hollow streets
deaf smoke
rain on water


"We cross the smooth night lake together
in the waiting boat
we are welcomed without lights
again and again we emerge by day
hand in hand
from all four corridors at once
under the echoing dome
guided by what has not been said 



"The shadow of my moving foot 
feels your direction
you come toward me
bringing the gold through the rust
you step to me through the city of amber
under the moon and the sun
voice not yet in the words
what is spoken is already
another year."
-- W.S. Merwin



Details:

"Kore" by W.S. Merwin - to read the complete piece (nope, this isn't the whole thing), see his collection The Compass Flower.


Photos by Josh.


Glasses//Ray Ban
Necklace//Antique
Dress (worn as blouse)//Vintage, 1980s
Skirt//Vintage, 1980s
Trench Coat//Vintage, Thrifted
Cardigan//Charlotte Russe
Shoes//Vintage, 1980s via The Paraders